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Reception: October 11th 4-6:30pm
Exhibit from October 2nd November 6th
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Kristin Calabrese
"Calabrese's subjects emerge from personal narratives and clever observations from the life of the artist. Her paintings investigate ideas and personal struggles through a metaphorical visual language... and become (s) a poetic and humorous investigation of the human psyche. Her paintings are conscious of their existence as paintings, which is exactly what a painting needs to do today."
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Phung Huynh
Hungh’s paintings fluctuate between the sweet and the grotesque, as she takes auspicious imagery out of traditional context into perverse landscapes where naughty children assume adult behavior, and where objects have a life of their own. There is a tension being played out of when visual metaphors and symbols perform an allegory that can become meaningful omens, or can become cute commodified objects purchased in Chinatown. |
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Laura Krifka makes paintings, sculptures and videos that dissect common fantasies of power and identity dealing with fantasies of beauty and nobility, myth, power, identity, seduction and the American dream. Her work explores the relationship of light and dark through a range of influences from art history to fairyland all with a post-modernist twist. Her investigations reveal a landscape where fantasies and clichés of the western world can combine and breed, creating a sublime and sinister world that reflects the oddity of our own.
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Naida Osline Naida Osline is a photo-based artist living in Southern California who has had an abiding interest in the transformative, mythical and ethereal nature of existence. Using digital photography as her primary medium, she combines and manipulates images to explore a number of themes related to biological processes, documentary photography, cultural anthropology, and the natural world in tension with the synthetic or human-engineered. More recently the mystical, social anthropology and personal identity. Each series evoke ideas about identity, power, representation, gender, fame, beauty, aging and fashion.
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Max Presneill
Within reconstructed histories and mythologized experiences, the forged connections that play between remembering and invention act as considerations of the nature of reality, power and identity. In the end the paintings are the remnants and evidence of the cognitive, problem-solving nature of painting and the human experience.
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Sergio Teran
In Teran’s work the subject of Mexican masked wrestlers is taken out of the context of the wrestling ring. The use of the mask is meant to evoke the spiritual being from within the subject while yet retaining their ordinary, human identities, similar to what would happen in cultural ceremonies that involve spirit masks or puppetry.. The spirit of this work comes from a cultural belief in the metaphysical, and its parallels to reality, i.e. good and evil, temptation, righteousness etc. Human beings struggle to comprehend these parallels but the “masked man” poses a spiritual power that may fend-off transgression in both a physical and a bodiless world.
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Marnie Weber
Marnie Weber creates works of fantasy and fiction utilizing collage, installation, film, performance, and music. By combining her own mythology of creatures, monsters, animals and female characters with costuming on stage sets, she creates narratives of passion, transformation, and discovery.
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Fall 2011 |
EXHIBIT: Student Scholarship Awards & Student Art Show Spring 2011 |
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EXHIBIT: Spring 2011 Alumni Show Spring 2011 |
EXHIBIT: Retake: A Second Look Spring 2011 |
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EXHIBIT: Fall 2010 Faculty Show Fall 2010 |
EXHIBIT: Fall 2010 Student Show Fall 2010 |
































